- A brief account of the history of logic, from the The Oxford Companion to Philosophy (edited by Ted Honderich), OUP 1997, 497-500.
- A biography of Peter Abelard, published in the Dictionary of Literary Biography Vol. 115, edited by Jeremiah Hackett, Detroit: Gale Publishing, 3-15.
- Philosophy in the Latin Christian West, 750-1050, in A Companion to Philosophy in the Middle Ages, edited by Jorge Gracia and Tim Noone, Blackwell 2003, 32-35.
- Ockham wielding his razor!
- Review of The Beatles Anthology, Chronicle Books 2000 (367pp).
- A brief discussion note about Susan James, Passion and Action: The Emotions in Seventeenth-Century Philosophy.
- Review of St. Thomas Aquinas by Ralph McInerny, University of Notre Dame Press 1982 (172pp). From International Philosophical Quarterly23 (1983), 227-229.
- Review of William Heytesbury on Maxima and Minima by John Longeway, D.Reidel 1984 (x+201pp). From The Philosophical Review 96 (1987), 146-149.
- Review of That Most Subtle Question by D. P. Henry, Manchester University Press 1984 (xviii+337pp). From The Philosophical Review 96 (1987), 149-152.
- Review of Introduction to the Problem of Individuation in the Early Middle Ages by Jorge Gracia, Catholic University of America Press 1984 (303pp). From The Philosophical Review 97 (1988), 564-567.
- Review of Introduction to Medieval Logic by Alexander Broadie, OUP 1987 (vi+150pp). From The Philosophical Review 99 (1990), 299-302.
Friday, December 11, 2009
"Fragments and Reconstructions from a Destroyed Oeuvre",by Henry Flynt,1963
Henry Flynt was born in 1940 in Greensboro, NC. He is a philosopher, musician, anti-art activist and exhibited artist.
Flynt’s work devolves from what he calls “cognitive nihilism,” first announced in the 1960 and 1961 drafts of Philosophy Proper. (The 1961 draft was published with other early work in his book Blueprint for a Higher Civilization, Milan, 1975.) He refined these dispensations in the “Is there language?” trap, published as “Primary Study” in 1964. In 1961, Flynt coined the term concept art. Concept art’s first appearance in a book was in An Anthology, release date 1963. In 1962, Flynt began to campaign for an anti-art position. He demonstrated against cultural institutions in New York in 1963 with Tony Conrad and Jack Smith, and against Stockhausen twice in 1964. He wanted art to be superseded by “veramusement” and “brend,” neologisms meaning approximately pure recreation.
From about 1980, Flynt has given a great deal of time to two endeavors which did not achieve the notoriety of the early actions—"meta-technology" and "personhood theory." In 1987, he revived concept art for tactical reasons; he spent seven years in the art world. After that, Flynt began to publish recorded but unreleased musical compositions; over a dozen CDs have appeared as of 2007. Because of his friendship and collaboration with George Maciunas, Flynt sometimes gets linked to Fluxus by unsympathetic reviewers.
http://www.henryflynt.org/meta_tech/crystal.html
http://www.henryflynt.org/overviews/henryflynt_new.htm
Flynt’s work devolves from what he calls “cognitive nihilism,” first announced in the 1960 and 1961 drafts of Philosophy Proper. (The 1961 draft was published with other early work in his book Blueprint for a Higher Civilization, Milan, 1975.) He refined these dispensations in the “Is there language?” trap, published as “Primary Study” in 1964. In 1961, Flynt coined the term concept art. Concept art’s first appearance in a book was in An Anthology, release date 1963. In 1962, Flynt began to campaign for an anti-art position. He demonstrated against cultural institutions in New York in 1963 with Tony Conrad and Jack Smith, and against Stockhausen twice in 1964. He wanted art to be superseded by “veramusement” and “brend,” neologisms meaning approximately pure recreation.
From about 1980, Flynt has given a great deal of time to two endeavors which did not achieve the notoriety of the early actions—"meta-technology" and "personhood theory." In 1987, he revived concept art for tactical reasons; he spent seven years in the art world. After that, Flynt began to publish recorded but unreleased musical compositions; over a dozen CDs have appeared as of 2007. Because of his friendship and collaboration with George Maciunas, Flynt sometimes gets linked to Fluxus by unsympathetic reviewers.
http://www.henryflynt.org/meta_tech/crystal.html
http://www.henryflynt.org/overviews/henryflynt_new.htm
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment